Showing posts with label Airbrush Body Painting. Show all posts
Showing posts with label Airbrush Body Painting. Show all posts

Saturday, March 21, 2015

Cosmoprof 2015 Review: Water Proof Sealing Spray for Body Painting Fixierspray by Eulenspiegel

Cosmoprof 2015 is in full swing at Bologna's Fiera District, and we are glad to be meeting again with our friends from German brand Eulenspiegel, who will grace the show with their very popular range of professional quality, fairly priced makeup and accessories for theatre, special effects and body painting.You too can find them right at Pavilion 16, stand G26.

Last year we reviewed Eulespiegel's great line of highly pigmented airbrushable water based colors for body painting. This time we had a chance to test and use another very interesting product that can be used to render those very colors water resistant, increasing their duration and their resistance under more strenuous performance situations. Its name is Fixierspray, and it is sold in three sizes (50, 150 and 500 ml), all coming in clear plastic bottles equipped with a spray pump for easy atomization. 
This product is of course alcohol based, and it is a completely clear liquid with a very faint, non irritant alcohol smell that will quickly disperse to leave no residual odor whatsoever. Fixierspray dries to a shiny finish which can be neutralized by using clear powder.

Eulenspiegel Fixierspray
Eulenspiegel's manager quickly demonstrated the power of this product right under our eyes, and we are repeating that demonstration in the photos that we are including in this review (please click on the photo to enlarge it): we airbrushed a shape with a water based color, then covered half of it with a thin sheet of plastic and sprayed the exposed part with Fixierspray, then we allowed it to dry thoroughly. We removed the protective plastic and doused water on the shape. Not just a little water, but almost a whole bottle. When the water dried, the half of the design that had been spritzed with Fixierspray was almost perfectly intact, revealing only a very faint smudging at the edges. The other half of the design had almost been entirely washed away. The product proved a definite success, and totally worth its reasonable price of under 10 euros for a 50 ml bottle. 

We look forward to reviewing more products from this friendly company. Eulenspiegel ships all over Europe from their website. You can also browse their show schedule and visit the next trade show they will attend, where you will be able to check with your own eyes their great variety of products. 



Friday, September 5, 2014

Video tutorial: fast Sugar Skull airbrush makeup with Graftobian GlamAire F/X Neon colors for black light

Airbrush Sugar Skull Makeup with Graftobian
Summer holidays are over, school is in and Halloween is approaching fast! And talking of speed, I was recently chatting with a makeup artist friend about a Halloween gig where she had to paint Sugar Skull makeups on a bunch of people in a very short time. I said to her that airbrushing would probably have been a good idea, and that with a few stencils and a couple of extra airbrushes to avoid time consuming color changes the whole endeavour could have turned into a whole lot of fun. 

A year later I am challenging myself to "walk my talk", and the results are in this video. The process is not exactly super fast as I chose to experiment with detail and decorations, but I hope it gives you a fair idea of how fun the process can be. In this video I am using stencils that I made by myself, and I decided to make the templates available to you our new FREE STENCILS page. Graftobian of course distributes the great BadAss Stencil line, and I would have used some of those too, but they were scheduled to arrive after the shooting deadline for the video. 

El dia de los Muertos Aribrush Makeup
In this look I also wanted to try out my new Graftobian GlamAire F/X Neon colors, and of course to use my new Graftobian Walk-Around System that I purchased early this summer at CRCmakeup.com. The colors are fantastic. They have an amazing payoff, they are super resistant and have a very low viscosity, which in layman terms means that they clear out of your airbrush beautifully, with hardly any residue. I did not have a hint of a clogging problem while using them. The bottles are a large 2 oz. size, which of course you need if you are going to do body painting. The formula is an alcohol and water base hybrid, and dries fast to a matte finish. I found it to be very gentle on the skin and odor free. 

Another great thing about these products is that the pigment does separate when they lay idle, but unlike the other GlamAire beauty formulas a quick shake is all it takes to get it perfectly mixed again. Oh, and did I mention that the Neon colors are made to glow in back light? Unfortunately we weren't equipped to show you that in the video, but it sure is a great plus. We will write more about Graftobian, its amazing color range and the Walk-Around airbrush system in our next post. Stay tuned...




Halloween Sugar Skull Airbrush Makeup with Graftobian F/X Aire



Wednesday, June 18, 2014

Airbrush Makeup Guru Profiles: an interview with Dani Fonseca

Our Profile series continues with the amazingly talented Dani Fonseca! Please click on each image to see every amazing makeup in full size.

Amazingly talented: Dani Fonseca
One of the reasons why I decided to go to the New York Makeup Show on its first day rather than the second was so I could attend Dani Fonseca's seminar "Airbrushing Beyond Foundation". Like many other airbrush fans around the world, I had become familiar with Dani's work thanks to the many videos she has starred in for the wonderful brand Temptu Pro, so I was excited to meet her in person. Dani has a very impressive list of credits, including one that is actually listed among Temptu's own highlights timeline: the iconic skeleton makeup on Lady Gaga for her Born This Way video. Dani also regularly collaborates with some of the world's top brands, and she is a proud member of the Make Up For Ever Artist Alliance Team. She has her own body art and event production company (The Body of Art) and she creates incredible Halloween looks in seasonal workshop called the Monster Mash Salon. In spite of her very busy schedule that day, Dani took time to answer a questions from the many people who filled out her seminar, and kindly agreed to answer a few questions focusing on airbrushing for our readers.

You are so incredibly talented with airbrushing. When did you decide to add this technique to your makeup skills?
-I started considering using airbrush techniques in 2004 when I started my company The Body of Art. As most may know, body painting can take an extremely long amount of time to complete, so I thought airbrushing would help make that process faster. I chose Temptu almost 10 years ago as the brand to explore this new possibility and not only fell in love with the possibilities for my body art but also discovered an amazing new way to do my beauty makeup.

How important do you think airbrushing skills are for new makeup artists, what doors do you think it could open for them?
Makeup by Dani Fonseca
-I think that airbrushing is an amazing tool. I stand by the belief that every makeup artist should of course learn how to do everything conventionally first, however airbrushing is an extension of what you can do with more ease precision and expedience. I do believe that most artists would be missing out if they did not know the advantages of airbrushing, however there are many make up artists out there who know how to airbrush and still choose conventional which is perfectly fine. Everyone has their own style and choice of technique. However what sometimes concerns me is that people will not try airbrushing because of the myths they have heard out there about it. I say to those people take a class and try it out before you shun it completely, because you may be pleasantly surprised and wondering what you have been doing all your life without it.

Body Art by Dani Fonseca
What do you consider to be the single best advantage of airbrushing as opposed to traditional application?
-The best advantage to using airbrush depends on what formula you use and what kind of makeup you are using it for.  As for beauty, I have always been a big fan of the silicone-based make up like Temptu's SB formula. It mimics skin in such a way that you can barely tell anyone is wearing foundation yet creates beautiful highlighting and con touring with ease, in a way that doesn't look overworked. Not to mention that it is water resistant and flexible so will not crack or run under adverse environmental conditions. As for body painting, as I mentioned before airbrushing helps me to do things precisely and much faster. Highlighting and contouring faux fabric or objects that I've created as an illusion on the skin is so effortless with an airbrush because of the gradient quality it gives with such ease. It takes a lot of practice to hold your hands still and create strokes that look clean but it's just like riding a bike: you just need to do it over and over again until you get it.

I always admired your makeup, but now, seeing you up close, I can see how incredibly flawless it really is. How much airbrushing do you like to include in your own routine?
-To be honest I used to airbrush my skin quite a bit however I find there is less and less room on my kitchen table which is actually my make up vanity. A little bit too much for me (and my husband) to have an extra machine sitting out all the time. Airbrushing has actually taught me how to apply makeup to myself with the "airbrushed look" technique using certain synthetic brushes conventionally. I think I've mastered it at this stage. I'm a big fan of cream make up whether it be foundations or blushes for highlighters so that ends up being my alternative to airbrush makeup. However I still do use it when I'm going to big events.

In Europe, where we are based, airbrushing is still a very new technique and like many new things some false myths are often quick to spread. Which would you consider to be the greatest misconception about airbrushing today?
"The Kiss" by Dani Fonseca
-I think we can attribute all the false myths to the type of airbrush makeup that first came out on the market in the 90s. It was very dry and matte, and if you put 1 drop of water near it it would completely destroy it. Not to mention if you put too much on and your face moved it would crack. There have been so many amazing advancements in airbrush makeup products since then. If you are buying a water based make up today, like from Kett Cosmetics, you will find that it's very beautiful and flexible.  Another myth that I have come across is that if you use a silicone-based airbrush makeup it looks like oil or grease on the face. This is because silicone-based makeup happens to be one of the thicker formulas on the market. It's purposely thicker so that it can do what it does. Some people have compressors that are not powerful enough, and often think they need to dilute the product in order to get it to pass through the airbrush gun. Again if they have not sat in a class, people often think that they can dilute such a product using its very greasy cleanser,  which is the cause of the oily pay off people hear about. I cringe when I see or hear of people using the product like that.  If you use the SB make up from Temptu properly and with its proper equipment it is one of the most beautiful foundations on the market made for all skin types and meant to last for hours. Why on earth would you not want to use that in your make up? One last myth I've come across is that it is too hard to clean your gun and you will often get clogging issues. Again you need to not be lazy and take the time to clean your gun properly. If you do not know how to do this yet again there are plenty of videos online as well as classes you can take that will help you to learn how to properly service your own equipment.

Makeup by Dani Fonseca
When it comes to airbrush makeup there seems to be a big a lot of disagreement over the water based versus silicone based formulas. Where do you stand? Do you prefer using one over the other?
-Anyone who knows me knows that I am a huge fan of silicone-based make up. I've been using it for 10 years and has very rarely found any issues with it. It mimics skin, it lasts for hours, it's lightweight and flawless and is very flexible on the skin.  Every student that takes my classes falls in love with it instantly because they taught how to use it properly. It's just a personal preference for me. It doesn't mean that I do not think a water-based formula is good. There are amazing water-based formulas on the market, and they're absolutely dreadful water base and silicone formulas on the market. You need to go to trade shows to test them out and/or do your research to find the people who are actually using the formulas and see what they say. Be careful of bloggers and You tubers who don't have any idea what they're talking about when they're reviewing airbrush products. Find actual airbrush makeup artists who use it all the time and learn what their opinion is.

Makeup by Dani Fonseca
While we are mentioning Europe, I know you have been here many times with different projects. Are you coming back soon? Will you be teaching any seminars here?
-I just finished doing a three day airbrush beauty workshop at the Academy of Freelance Makeup in London in May. I also did a demonstration master class while I was there.  My next trip to Europe will be at the end of September when I travel to Paris to be a guest instructor at the new Make Up For Ever TV and Cinema Academy.  I am very excited and honored to be working with this new Academy twice a year. However it's a week long class that is part of a program so unfortunately it would not be open to the public.

You have worked on many high profile projects and with many celebrities. Would you share a fun memory or a lesser known fact about one of these remarkable achievements? 
-To be honest for the most part when I work with celebrities I very rarely have a memorable moment with the celebrities themselves. My memorable moment is always with the team I work with. People always ask me "What's it like to work with Lady Gaga"? As you can imagine the woman is so busy and focused on what she's doing that I barely ever had a chance to have intimate memorable moments with her. I usually have more fun hanging out with my partner Will Lemon, or the dancers, or my friend Sarah Tanno who keys the dancers, and my assistants backstage. It's a job and I love it, but usually when I work with celebrities its quick, its business, and people have to keep it moving. One of the nicer moments was when I was body painting girls for a 50 Cent video and he put his arm around me and gave me a hug cuz he thought the work looked so good... I thought it looked hilarious (big cat faces painted on "well endowed" backsides), but as long as he was happy!

Lady Gaga and Zombie Boy, Makeup by Dani Fonseca for Temptu





What is your ultimate professional dream?
-I just would love to get to a point where my business is running itself, I have made a my impact on the world by inspiring other artists to make a difference, and I'm a mom who lives in a house with my husband by the park so I can go running whenever I want.  I'm getting there.  I have launched my new makeup artist leadership program called The Body of Artists this year, and I continue to educate people around the world on ways they can follow their dream in this insane industry we have chosen to have a career.  I am very blessed and put a lot of hard work into what I want, and do my best to not allow any excuses to get in the way.  If I could body paint Pink before I die, that would be cool, but that would be a bonus. 

I really enjoyed meeting Dani. I was already a big fan of her work, but I found myself quickly won over by her off beat sense of humour and by her personable approach, which left me hoping to see more of her and her fantastic work soon.
 



Tuesday, April 8, 2014

Airbrush Makeup at Comsoprof 2014

Cosmoprof is back in Bologna, Italy, and once again I was first in line and searching this massive, 4 day event for anything new concerning airbrushing in makeup and beauty. 
Of course the focus of my wandering had to be once again Halls 29 and 30, dubbed for the occasion the "International Pavillions", where I had the pleasure of meeting up once again with our friends from leading professional UK brand Mistair. The company's reputation is growing fast on the British scene, where promotional liasons with popular TV programmes are making its quality silicone based line more and more well known in the industry. This year I also had a chance to try out their amazing MistFX line, which I can honestly say is the best, most pigmented body painting product I have ever seen. Given its reach texture and its resistance to water I could hardly believe that this product was in fact water based and seeing these amazingly brilliant colours in person was enough to make me want to go back to body painting very soon. 

Not very far in the USA section of Hall 30 I was very happy to meet the brilliant international team of Make-up Designory, who very recently opened a Studio in Milan. MUD enjoys a reputation for being one of the very best makeup schools in the world, and also produces an equally acclaimed makeup range that includes a line of high quality silicone based products. The MUD stand was one of the most happening and interesting places in the whole exhibition. I shall say no more about them for now, because I will have the pleasure of visiting their New York branch very soon, and I will follow up with an in-depth review. 

A similar relationship between education and product creation is reflected in the history of Cazcarra Image Group, a big company from Spain that started as a professional school and is now producing an extensive range of makeup catering to anyone from teenage girls to the most skilled FX professionals. Cazcarra produces a very interesting aibrush makeup line which we will be happy to review very soon. One of their leading makeup artists, Jordi Justribó, was there once again demonstrating amazing looks to an awestruck audience. We will soon interview Jordi for a new series on international airbrush makeup artists profiles. 

This year I was surprised to see airbrushes also involved in unusual application, from pure oxygen skin therapy to hair reconstruction treatments. While some of these disciplines might leave one slightly perplexed at times, one thing is certain: airbrushing in the cosmetic industry is here to stay.





Friday, April 4, 2014

Eulenspiegel: quality Airbrush Body Painting from Germany at the rightprice!

Eulenspiegel is a German makeup brand with a straight forward philosophy: to offer a quality line of body painting and fantasy makeup products at an accessible price. We are not using the word "quality" lightly here: the products are certified according to all the current European standards, they are hypo allergenic, and gluten, paraben and animal cruelty free. We have had the pleasure of meeting the Eulenspiegel Team at Cosmoprof 2013 in Italy, and we will see them again this year during the 2014 edition of the trade show, where as usual their stand will be crowded with customers attracted by the wide product range and by the decidedly affordable prices that they offer. 

Courtesy of Eulenspiegel Website
For the discipline of airbrush body painting, Eulenspiegel produced "Airbrush Star", a series of 30 highly pigmented airbrushable colours in 30 ml bottles for the great price of 6,95 Euros per colour. The products are water based, and according to the literature they are suitable for airbrushes with a 2.0 nozzle and up. After trying them I can confirm that this is correct, however given the viscosity of the liquids, at least in their undiluted form, I would definitely recommend using them with an airbrush with a 0.35 nozzle and up.
The colour payoff is actually excellent: all you need is a few drops and a few passes to cover a wide area effectively. For a whole adult face, for example, 12 drops will be more than enough to achieve a complete, solid coverage. The colours will need a few minutes to dry completely, and you may want to set them with a colour free powder to speed drying. Once dry, they will have a very good stability and they will be resistant to water, sweat and transfer.
The only downside that I have found with this product is the difficulty in removing the pigment from the airbrush once application is over. Because of its high pigmentation, the product will leave a persistent residue that will require very thorough cleaning at the end of session. This however does not represent a problem during the session itself, because the residue will not clog the nozzle, and there will be no particular need for cleaning in between colours.
If you are on a budget, you may chose to buy just the primary colours and mix them to achieve almost any shade, but you will find it hard to resist the beautiful pre mixed shades that are readily available on the online store.

Shipping from Germany is fast and cost effective, so you can try this line by ordering directly from the original website to your own Country.

PRO TIP: be sure to cut off the tip of the nozzle on the bottle as little as possible: if you cut it too low, a gap between the nozzle and the bottle cap will form and the colour will spill everywhere the next time you open the bottle.

Coverage with just three drops of colour White.