Airbrush Makeup Hall of Fame: Robbie Miller

Robbie Miller

Robbie Miller was Head of Global Education at Dinair, the first legendary brand of airbrush makeup for the beauty industry created by Dina Ousley and George Lampman in 1981. Robbie's carrier in airbrushing is the stuff of dreams, in less than two years his passion and dedication allowed him to achieve amazing creative and professional results. While continuing in his role as instructor, Robbie actively collaborated on the creation of the first line of  airbrushable semi permanent hair colors called Dinair Vivid Hair, as well as securing a high profile collaboration for Dinair with TLC television network. It was a pleasure to sit down with him at Dinair's North Hollywood headquarters and ask him about his inspiring story.

Let's start with something about your background...

I grew up poor in West Virginia, in a little town of just three hundred people called Robson in the Appalachian Mountains,  then I moved to Virginia Beach and I went to Paul Mitchell school there, and that's where I was introduced to Dinair, through a workshop.

Model Zuzu wearing 100% Dinair makeup by Robbie Miller

Paul Mitchell is primarily a hairdressing school. How did you decide to focus on makeup?

I love hair but I really love makeup. The school's curriculum doesn't touch a lot on makeup so I was scared of it, but  then they brought this speaker in, her name was Jane and she was a representative of Dinair, and I thought "oh my God, I CAN do this type of makeup", it felt so easy and natural in my hands. So I just kept practicing more and more. 

Was your family supportive of your career choice?

Initially my dad thought that there was no money to be made in the beauty industry... but I proved him wrong! Of course there wouldn't be much in a small town, but in Los Angeles there certainly is a lot of money to be made from this craft. Now my parents are very happy to see me travel with Dina and do everything that we do...

How did airbrushing become your main focus?
Right out of beauty school I started working at a hair salon in Vigina Beach and I got really good at airbrushing, and being the only makeup artist who had perfected this skill the salon had me doing about five weddings a week!

How did the big move to LA come about, and how did you become Dinair's Head of Global Education?

Makeup and Hair airbrushed by Robbie Miller

When I moved to Los Angeles a little over a year ago I had never been here before. I just had a dream and a salon job that I had lined up previously. But Salon work is not for everyone and it really wasn't for me. So about two weeks after I moved here Jane (the lady who had taught me in my first Dinair workshop) passed away, and I posted on her memorial Facebook Page asking for a ride to her memorial service as she had meant a lot to me. The person that responded to that was actually Dina. So in the car I told her my story with Jane and she said to me "I'm going to make you and educator". About two weeks after that I was working for Dinair full time.

What an amazing story! So when you started learning was there any aspect of the technique that you thought was a little harder to master?

Well it took me a while to realize that airbrushing wasn't just putting product in this wand and pulling the lever. The airbrush is a tool and it takes practice  and the proper education to become an airbrush makeup artist. Of course color theory and placement still apply, but there are techniques that you need to learn as gradient, distance and pressure create different looks. As I was starting out I probably didn't realize all that. The most difficult thing to learn was probably eyeshadow and getting that blended look. It's all about how close you are, how far back you're pushing your lever and the angle that you are holding the airbrush at...

Hunger Games looks by Robbie Miller with Dinair

What's the most common mistake that your students do when they are learning airbrushing?

Definitely overspraying. Basically airbrushing is like having Photoshop in your hand, so you have to be very sparse and precise when covering the problem areas and then  apply a light pass on the rest to blend everything in, as opposed to a flat all over application.

Is there an aspect to the teaching that you enjoy less?

A lot of makeup artists just want to go straight to creating a look, but there are a few technical aspects that need to be taught before that. They aren't the funnest to teach but they are necessities because without the foundation techniques you will not be able to create the rest.

 

Dinair is one of the most dynamic brands in the makeup industry, with an incredible growth in the output of new lines in the last couple of years alone. What is your own favourite line?

Airbrushed grooming by Robbie Miller

I really like our Soft Glow foundation line. It really does stay put, and gives a nice glowing effect. Even though it was meant for oily skin types any type can wear it, and that's my go to. Each line we have is best suitable for a different skin type, but if I had to choose one to start my kit I would definitely go with Soft Glow. Then of course there is our Glamour line, which allows for the most natural looking skin. It's also the best for men grooming because it's undetectable. From a consumer's perspective, the fact that the airbrush wand is a "cool tool" also makes it easier for man to use for covering skin imperfections without thinking about it as makeup.

In your opinion what is the greatest misconception about airbrush makeup today?

There are actually two: one held by consumers and one made by pros. The consumers think it's too difficult, and the professionals think that they can't create the same look with the airbrush as they do with their brushes. Of course we live to prove them wrong [laughs].

Although it's only been a about two years from when you started with Dinair you have already been part of a lot of remarkable experiences. Which ones stand out so far?

The TLC Say Yes to the Dress filming experience was very exciting. The host of the program Monte Durham is a friend of mine from the same home town, so I suggested that he include makeup in his the show. He said he had been thinking about it and asked us if we'd be interested in collaborating on Say Yes to the Prom, so after months of planning and training artists all around the Country we were able to participate. We did a four city tour (New York, Miami, LA and Dallas) giving prom makeovers to deserving your girls who are less economically advantaged but have great academics. They received gorgeous dresses, jewellery, hair and makeup and then they were part of a runaway show. We had 120 airbrush makeup artists, 30 for each location, and it was great for them to be part of such a huge production. The show focused on four principal girls, and each of them was assigned a makeup artist so Dina and I plus two of our star artists were part of this group. [The show aired in May, 2016. Press coverage included a spread on People Magazine]

Robbie, Dina, the Dinair Team and Monte Durham on Say Yes to the Prom!

What is working with Dina like?

Working with Dina on Mario Lopez

Dina is such a wonderful mentor. She's an Emmy award makeup artist who has been in the industry for fifty years, has a celebrity clientele and still works on film and TV, yet she is humble and so giving. Dinair is the result of her love for the industry.

I know that you are also an actor, so was coming to LA a way to put your great passions together?

Yes, I love anything in front or behind the camera. I studied at Amy Pollard's school for improv and took acting classes on the East Coast, I just love creating for the camera, whether it's hair, makeup or performing it's all part of the same big dream...

What is the next dream you would like to achieve?

Being here at Dinair and being able to inspire new generations of  makeup artists to believe in themselves and their dreams, or helping someone like a burn victim with a workshop on camouflage, that is so much more rewarding to me than doing makeup in a salon. I love inspiring people to be the best they can, and whatever their dreams are to take a leap and believe in themselves. Right now I am writing a book on my journey in the past few years, and that will hopefully be completed soon, so I am very excited about that. 

Do you have any advice for new airbrush makeup artists?

Keep learning, don't just do foundation and blush. Get specialized. I know that the more specialized you are the more attention you get whenever you are on set. If you are quick and efficient they will remember that. Just as it happened in this last show for TLC. They told us makeup had never been on time before. We were able to get finished early every time with forty minutes to spare.

In May 2017 Robbie began a new adventure as an airbrush makeup educator, leaving Dinair to remain an independent affiliate of this legendary brand. 

Follow Robbie Miller on Instagram at: @airbrush_makeup_dude

Robbie and Team on shoot for Vogue Italia

Aibrush Makeup Guru Porfiles: Interview with Jackie Fan from Temptu

It is a lovely late April afternoon in Los Angeles, and we are about to meet with Temptu's Global Education & Artistry Manager Jackie Fan, just a few days before her move to the East Coast where she will join the Temptu Team at its New York head quarters. Soft spoken and beautiful, Jackie has agreed to share some thoughts on airbrushing and on Temptu's remarkable, newly released range of innovative products.. 

Born in Tai Pei, Taiwan, Jackie moved to California at the age of 16. She moved LA a few years later to study at FIDM (Fashion Institute of Design & Merchandising)  makeup school and has been living there until her move to New York. 

Jackie Fan at Temptu

How did you become involved in makeup? What was your first inspiration?

I have always been interested in design, art and beauty. Ever since I was little I loved to draw, so I started out as a sketching artist I guess. Then I went to beauty school and that's what I am most passionate about. The power to transform and improve someone's self esteem. Just a few subtle changes can change someone's day for the better, and that in turn makes my day.

Was anybody in your family involved in beauty or art?

My father was a banker, my mother was the artistic one in the family. She taught art in kindergarten, so I guess I took after her. My brother is a very successful entrepreneur, so I guess I am the only one in this industry which I love. You can't stay in this industry if you are not passionate about what you do. Initially there was a bit of resistance because I wanted to be a painter, and they didn't see that as a very profitable career, but then when I turned 10 they decided to let me do what I was passionate about and became really supportive.

When did you start airbrushing?

Jackie Fan and Temptu Airpod

It was in 2009. I was first introduced to the Temptu Airpod line, and I was really fascinated by how easy it is to apply and use. Then I got to mix colors with the SB line, and with my background in color theory I just loved the endless possibilities.

What was the first impression you had about airbrushing as a technique?

I was actually thinking of Photoshop, because I knew how to airbrush a photo on the computer, and then I saw an actual airbrush being used by another artist on a Job and I was blown away. First of all I love how hygienic it is. No contamination, no contact, no germs.Then I love the finish, and how it reads on hi def screens. It looks wonderful. So I thought I have to try this!

Makeup by Jackie Fan with Temptu

How hard was the journey that brought you to playing a prominent role with such an important leading brand as Temptu?

It was a lot of hard work. When I talk to younger generations of makeup artists they think of this job as very glamorous, but actually it's not. It's a lot of hard work -physical hard work- and also creatively you have to produce a lot of new ideas. I always try  to reinvent myself, to keep up and stay current and relevant. Doing what I do here at Temptu is important but I also want to keep freelancing on the side, that's what keeps me current and relevant. I have been with Temptu for a while, I love what they do and their art direction, and they have the same idea to keep evolving and reinventing themselves, which I find very humbling.

Thinking back of when you started with airbrushing, what is the aspect of the technique that you found more difficult to learn?

When I was starting observing the skin was the most difficult thing. We're used to seeing where the product is going [when we apply traditional makeup], but with airbrush it's harder to do that so I had to remind myself to look for the change in the skin. Also control and maintenance of the equipment, which can be the most intimidating part. Once you have these things down, in my opinion airbrushing is so much easier than traditional makeup. 

Makeup by Jackie Fan with Temptu

You've been teaching airbrushing to many makeup artists. What aspect of teaching to you enjoy the most, and which is your least favorite?

I love meeting new artists, we learn from each other. That's the best aspect. My least favorite aspect has to do with the fact that English is not my first language, so I tend to dwell in my mind a little bit and worry that my pronunciation or grammar isn't perfect, but I overlook that part easily.

Now for a question we ask all the gurus we interview: what do you think is the most common misconception regarding airbrush makeup? 

I think some people associate airbrush with "cakey" and fake looking finish. That's not true at all, because airbrush is a fine mist of makeup that is gently layered upon the skin, so the artists has total control of what the final result might be. It's really about the formula, and I can't speak for other companies but Temptu has this really amazing finish, and since you can mix colors it will work for any skin tone or skin type.

I find that when it comes to silicone based formulas a lot of artists are very intimidated by eyeshadow application. I think that if you set it properly SB can work beautifully for eyes, but a lot of people are still scared and run back to their brushes...

You're absolutely right. I do encounter a lot of artists that use airbrushing just for the base, but when I am teaching I always demonstrate a full airbrushed makeup, including eyes, so that they know it's a possibility. Once I was on a job with a makeup artist who was having problems blending a certain powder eyeshadow, so I helped her out by airbrushing on top of that to achieve a perfect finish!

Makeup by Jackie Fan using Temptu

Temptu has a very wide range of tool and products that can be used with or without an airbrush. You have an amazing FX range and and alcohol based line for tattoo covering for example. What is the line of products that you are most excited about apart from the SB line?

I'm so glad you asked that question! We are just about to launch the Airpod Pro. It's basically a top feed gun in pod form, so you don't have to deep clean it but you can just flush it with cleaner. It's reusable and you can mix any color together from any of our formulas or any other brand. It will fit with any airpod attachment, whether it be the traditional airpod gun or the new Temptu Air. There is also a new foundation line called HydraLock Foundation, it has 18 shades and it has a beautiful demi matte finish for a more luxurious user experience. [The Airpod Pro and HydraLock are now available through the Temptu US Website and its distributors in Europe]

Makeup by Jackie Fan using Temptu

Talking about other Temptu lines, is there a product that is a little underrated, or one that you feel people should know a little more about?

We do have a great Adjusters set.

You can actually mix a foundation color simply by mixing the primary colors that come with the this set, but a lot of people find it a little intimidating. I personally love it. 

I even mix adjusters with concealers to subtly change a tone and correct different tones. I love that set, even though it may not seem as exciting as the blush and highlighter set, but the creative opportunities are amazing.

If you could start over is there anything you would do differently?

I wouldn't really change anything because everything that happened has brought me this far and I really like where I am, but for anybody starting out I would encourage to go outside of their comfort zone, for example to not be shy about reaching out to people they want to work with, or agencies that they admire to try and get on their roster by assisting people, or even to pursue their dreams in a more determined way.

Do you have a professional dream you have yet to achieve?

When I was little I wanted to be a farmer, lol. Eventually I would like to do even more creative projects, but so far I pretty much feel like I am living my dream...

Find Jackie on Instagram @chiachingfan

Guru Profiles: an interview with Dinair founders Dina Ousley and George Lampman

Today is one of the most exciting days of my beauty reporting career: I am sitting in Dinair's video studio in North Hollywood with the very founders of this history making brand, Dina Ousley and George Lampman.

Dina and George at Dinair Studios

Dina Ousley is a true innovator, an inspiration and a game changer for a whole industry. Together with her partner George Lampman she started the airbrush makeup revolution, developing this new medium and taking it out of the confines of the professional world and into thousands of homes across America and the world at large. No matter how remarkable her achievements, Dina never rested on her success, but maintained a steady and uncompromised commitment towards innovation and improvement that have made her product one of the best kept secrets in the makeup world. Working in a very tough industry, she also kept her sense of humour, her joyful creativity and her compassion, being directly involved in a variety of charitable initiatives in her community. Her life and business partner, Dinair CEO George Lampman is the man that made all of this possible. A former engineering student, George is the brain behind all the technical breakthrough brought forward by Dinair, from product formulation down to equipment design and devising the training.

Dina, you started your career as an actress in film and television series, and you were also a hairdresser and a licensed cosmetologist, When did you think about airbrushing for the first time?  

DINA: When HD started to happen, makeup started falling behind. It started to look obvious on camera, and people were starting to look better on camera without makeup than with traditional makeup. [On set] They would never give you enough time to do makeup anyway, they were always hurrying us up to the point where you would ask yourself if they really needed us. So I thought that airbrushing might help us keep our job, and it did. I had always been in love with airbrushing, but I wasn’t really an airbrush painter. Then one night we were talking about airbrushing and how it really works, and we knew that digital images were all made up of pixels, and my genius life partner George said: “when you spray color it works like pixels. I’ts basically dots, and we realized that that was IT! That was what made it so compatible. And the rest is history. We just fell in love with it... 

Dina doing her magic for the 64th Emmys Governor's Ball

How did you and George meet?  

DINA: We were country and western dance partners.

So you were already partners in life when airbrushing came into your lives you became business partners as well…  

DINA: Basically that’s it

George, you are the "technical brain" behind all the breakthroughs that Dina has brought forward with Dinair. We are all incredibly grateful to you, even people who are not aware of it. My first question for you would be what’s your background, how did you become involved with airbrushing?  

GEORGE: Well I never would have thought of airbrushing makeup personally. Dina was talking about some difficulties she was having with the chemistry aspect of the makeup, and I don’t know where it came from but I told her I could fix it. 

DINA: And I said do you want to get married? [laughs] He was a contractor and he always thought out of the box. We worked with many chemists (I did before I met George) and they couldn’t make it work. I was on jobs and my makeup would come and it wouldn’t work, it wouldn’t spray. That’s why when I met him and he said "I can fix this…" we stayed up nights and days fixing this problem…

Airbrushing had always been associated with special effects up until that point. Almost like it is now in Europe, where everybody watches Face Off but too few are aware of airbrushing as a viable or preferable option for beauty makeup. When you started offering airbrushing for corrective and beauty makeup you brought about a major breakthrough. Were your ideas met with excitement or did you experience a certain resistance from your peers?  

DINA: we did [experience resistance]. The union thought it was going to take people’s jobs. But really in the end it made jobs for people. And now it’s really mandatory to airbrush to stay on top of your game, and people from all over the world come to learn it. Airbrushing just addresses all the issues today: it’s more sanitary, it’s fast, it provides that flawless look… so yes we were met with opposition.  

Dina's make up on  Miss California

GEORGE: In 1989 Dina was doing a protest in the form of entering a hair and makeup competition in the Long Beach hair show. In those years that was THE big west coast hair show. Dina airbrushed a model, and won the competition. Marvin Westmore was judging the show, with Johnny Carson’s makeup man. Dina’s work was beautiful, but they made a decision that they weren’t going to allow airbrushing at the next show, because it wasn’t going to be fair. The unions were very alarmed at the time with what we were doing. When you break in new technology it’s just the nature of the thing. We didn’t know that then, but that’s how it is.

I'd like to touch a little more of a technical aspect now. There’s a big debate among people who use airbrush makeup weather to use water based formulas or silicone based formulas. Of course you produce water based formulas so I know where you stand. How would you explain the difference?  

DINA: I’ll just say one thing, then George can take over. Silicone wasn’t around when we started, it was just greasepaint and powder, so water based was a perfect solution for airbrushing because our makeup was not going to be wipe-on, but sprayable. 

GEORGE: People define it as water based versus silicone but it’s not really what it is. The question is do we want our makeup to be silicone based or carbon based? Our makeup is carbon based. And it’s carbon based with water, or possibly water with some alcohol for quicker dry. The idea is that our makeup is very eco friendly. A gazillion years ago we started ditching the preservatives because we realized they weren’t necessary. Our formula is so pure… we don’t really have things that would go bad in it, so we can minimize the amount of preservative and so we just kept making it more and more friendly. I found that the skin agrees with carbon based products better. We have more and more stories about people’s skin being less irritated… it’s a story we are going to tell in more detail in the future. For Spraying purposes I really believe in the carbon based approach. For rub-on and for some occasions I think there is still room for silicone, but I really don’t want silicone in my body. I am made of carbon. So we’re just in favour of carbon. We are in favour of recycling, and carbon recycles beautifully. 

DINA: And it’s long lasting. And doesn’t clog pores of collect in to the fine lines. It allows the skin to breathe... concealing while healing! And it doesn’t rub off… 

GEORGE: That’s one of the reasons why we like the idea of the makeup setting on contact. You spray it and it doesn’t move, so you don’t clog pores. We want it to be “touch-finish”. People wonder what looks you can achieve. They think you can get a dewier look with silicone, but then they just don’t know what we do. We are able to achieve any look from the most dewy to the most matte, we can teach you tricks to make you look android if you want. It’s all there.

Beauty Guru Kandee Johnson used Dinair for this Maddona inspired look on Glamour Magazine

Yes, I like to say that if you have a problem with airbrush makeup, it’s probably because you’re not doing it right... 

DINA: Yes, probably overspraying. We teach you not to overspray. 

GEORGE: …and how to combine the products in a unique way. If you have a goal or something you need to get done, call our customer service, they will tell you how to get there. You don’t have to figure it out alone. We share what we know, everything you need to know. There’s a lot to learn, but when you break it down in small steps no one needs to worry about it. I just think it’s beautiful, and if you go about it the right way it can be a really beautiful experience.

Which brings me to the next question. What do you thing is the most common misconception regarding airbrush makeup? 

DINA: They think it’s hard.

I totally agree. When I publish a video tutorial one of the most common comments is “Beautiful, but I would never be able to do it. I think you both can attest that yes, one would be able to do it with the right training.
GEORGE: If an artist feels a curiosity towards this they should follow it. It doesn’t mean they that they will have to just do airbrush from then on. The fact that we can do airbrush eyeliner doesn’t mean that everyone has to do it. Learn the foundation. Start somewhere where you’re comfortable and the progression will be natural. You will start with foundation, then blush, and work your way up at your pace. There is no rush.  

DINA: little baby steps.

However in your workshop you take all these baby steps very quickly. You learn to do eyes very quickly. I would say one of the biggest fear is how to do eyeshadow. They don’t realize it’s actually easier because the airbrush does the blending.  

DINA: That’s right. It does it for you. How could It be any easier?  

GEORGE: When people leave the workshop it’s not over. All the videos that we have on our channel will actually make more sense. The workshop is like a grounding experience after which people will be able to continue on their way.

3D Makeup with Dinair at IBS New York

You know I think it's amazing to come here on a Sunday and find you guys as excited and passionate about what you are doing as if you had just started last month, instead of over 30 years ago. The passion that you guys radiate is contagious!
DINA: That’s the feedback from all of our students.. they love it. [For us] it’s a love story. It’s passion. That’s what makes it not feel like work. 

GEORGE: well we feel like we help people, and thinking that we are helping people makes it easy to keep doing it.

Dina you have worked with many celebrities in your career, and of course you have use airbrushing on many of them…  

GEORGE: ALL of them! 

DINA: All of them, no traditional makeup, I was a terrible traditional makeup artist!

I’m sure you weren’t!
GEORGE: She was happy doing airbrushing and unhappy doing anything else. (laughs)

Out of all the celebrities that you have worked on, did you have any reactions from any of them that you remember most?  

DINA: Well I got hugs from Clint Eastwood, I don’t think it could get any better than that… They all loved it. Peggy Lee… Meryl Streep… everyone could see the difference.

So Meryl Streep… do you remember what movie?  

DINA: It wasn’t for a movie, it was for a political event. Cher, Bette Midler, everybody was there and they all came with their makeup artist, except Meryl Streep. She didn’t want to come in a limousine. She just wanted to come to the makeup tent and get made up, so I was there and I did it. I’ve done her makeup on a few other occasions, for interviews to promote movies and stuff…

And what did she say?  

DINA: She loves it! She thinks she looks real and natural, and I was fast! 

I think if we have Meryl Streep’s seal of approval, and talking about it here in Hollywood makes it even more real, we can rest assured about the advantages of airbrushing... Now you were mentioning Clint Eastwood, Airbrushing is an amazing tool for men. We’re not talking makeup as such here, we are talking correction of natural defects and camouflaging with ultra natural results. I don’t think there is a way to achieve the same natural effect.  

DINA: There isn’t. Dinair works under any kind of lighting, because your natural skin is showing around those little “pixels”, and dots are the ultimate camouflaging, and it’s beyond makeup.

Dina's whimsical hair creations and Makeup

One of the most amazing thing about Dinair is innovation. It’s the amazing pace at which you improve your product offering. Let's talk about the lines you have introduced in the last two years, like Colair Radiance, Hair Colair and Colair Extreme...  

DINA: Well Colair Radiance has no talc, no oils, long lasting and more moist, it’s more comfortable and longer lasting, more pigment. Colair Extreme has a lot more pigment, and doesn’t rub off. And I’m a hairdresser so we had to add some hair color right? The fact is there are so many colors and you can intermix anything to match any kind of trend, from purple hair to natural colors.

I just experienced Colair Extreme thanks to you last week and I was stunned by the resistance of the formula. The swatches you tried on my hand lasted for two days and didn’t come off until I decided to remove them, because they wouldn’t budge. I thought this is a major break through, because it can cover major skin issues with no need for color correcting. And all of this from a product that is still water based! Are there more colors planned for this line? 
 GEORGE: There are 14 colors available matching the most popular colors of our main line., you can mix them to get all of the mid tones. When you have 14 shades there are thousands of possibilities. Extreme is extreme, it can cover tattoos by itself. For someone with port wine we might recommend using half extreme and half Colair Radiance, because just Extreme would be overkill.

So even this formula can be mixed with the others right?  

Dina's Magic enjoyed by Meryl, Clint and... ME!

GEORGE: People can mix into our foundation shades some of our opalescent shades or shimmer shades to give a softer shimmer, and at a professional level these are all some very wonderful options.

This also looks like it could take care of the one objection that some artists seem to have in regards to water based lines, that is that water based finish is dry... 

DINA: yes. You can also take care of that by spraying moist and dewy over the makeup, instead of under. A touch of opalescent may also make it look more natural, more like your natural skin is showing through.

Stilll on the subject of innovation, what can we expect from Dinair in the near future?

GEORGE: We're going to be enhancing the online education, so that it will be easier for people to learn. Our news letter is being revitalized and will be coming out more frequently. Our online training is becoming more organized, and we are launching an internet forum where people will be able to exchange information interactively. As for everything else you can expect lots of new toys. The first in line to be released will be the new Dinair Pro Grip. I created it to help professionals spray better and beginners learn faster than they imagined possible. Pros and newbies will feel totally in control of the airbrush and will be able to really focus on the makeup, and learning more advanced looks will be easy and fun. Also it will fit all similarly shaped aibrushes!

Introducing Dinair's newest innovation: the Pro Grip

Now Dina and George, I want to thank you again for this opportunity to talk to you right here at Dinair’s head quarters in north Hollywood. Now is there any any dream, any goals you have set for your selves that you haven't achieved yet?  

DINA: We are still dreaming. We will never stop!
GEORGE: The game is on!